Conspiracy Against Shareaza and Open Letter to the Recording Industry

Written by enigmax on January 02, 2008 

French recording labels are suing three P2P software vendors, including Shareaza. They make many false claims against Shareaza in order to win in court. This is an open letter to them, setting the record straight and a look at MusicLab who now control iMesh and Bearshare, and has recently hijacked Shareaza.com.

La Societe Des Producteurs De Phonogrammes En France (SPPF), which represents recording labels in France, is suing three P2P software vendors, Shareaza, Azureus and Morpheus. They are suing because recent French legislation suggests that all P2P programs must have a feature to block the transfer of unauthorized copyright media, a feature the mentioned clients don’t have. More detailed background to the case can be found here.

An important player in this action is one Jonathan Nilson, so to begin, we need to clarify exactly who he is and how he fits into this legal action against Shareaza. TorrentFreak spoke to Wout000, an admin at Shareaza. He told us:

“Shareaza.com was firstly registered by Mike Stokes, the creator of Shareaza. Mr. Stokes registered the site, and went live with his groundbreaking client ‘Shareaza’ that contained multi-network swarming and the revolutionary network G2.

Mr. Stokes was, at that time, unemployed. When Shareaza gained popularity and was noticed by other companies that use P2P networks in their programs, he received a job offering. He went for it but this meant he had to leave Shareaza to other developers and distance him from the client. Therefore he made Shareaza open source and transferred the domain to a user he trusted. This user was Mr. Jonathan Nilson.

Mr. Nilson has had control over the domain name for years, and is being prosecuted because of that. His name was the only viable name they could dig up (whois) and therefore he is being made responsible for the entire Shareaza vs SPFF debacle. He has cut communication with the Shareaza team and doesn’t respond to emails. The calls that are made to him, end up in a legal banter that is forced upon him by his lawyers. Mr. Nilson has no ties whatsoever to the Shareaza community at present and this will presumably remain this way.”

Recently, we reported that the Shareaza.com domain had been ‘hijacked’, in that it is no longer controlled by Mr Nilson but is now in the hands of MusicLab - who just happen to be associates of SPPF. Mr Nilson would neither confirm nor deny that he had sold the domain, but speculation from sources close to the case suggest that he may well have sold the domain to MusicLab - after striking a deal with the prosecutor to drop the case against him.

Speculation maybe, but it can’t be denied that MusicLab like getting control of P2P related domains, with assistance from their friends in the RIAA. Neither can it be denied that they took control of iMesh as part of its settlement with the RIAA and that iMesh is run by Robert Summer, ex-Sony boss and ex-president of the RIAA.

MusicLab also took control of BearShare as part of its settlement with the RIAA and also now hosts those services on their server located at 207.232.22.55. MusicLabs, it seems, is taking each P2P client one by one - and assimilating them into a Borg-like collective.

And now, in 2008, it’s also impossible for MusicLabs to deny that somehow, the Shareaza.com domain name owned by Mr Nilson now points to the very same server detailed above, where they have created a fake Shareaza site, complete with graphics taken from the official site, in order to pass off their software - most likely an iMesh clone - as Shareaza. It’s not, it’s a complete scam designed to ruin the good name of Shareaza, by trading on its success to draw traffic to a counterfeit site.

Also on the same server was shareazaweb.com, another Shareaza scam site but they’ve taken that down now.

Anyone noticing a pattern here?

Open Letter to La Societe Des Producteurs De Phonogrammes En France

Refutation of claims made by the SPPF against Jonathan Nilson and Shareaza

The Writ of Summons issued before the Paris Regional Court on 18th September 2007 contains many fanciful claims against Jonathan Nilson and Shareaza. Many of the facts as they are presented in that document are simply not true, and have resulted in great harm to Nilson and the Open Source software project Shareaza, namely legal threats against a person not residing within any French jurisdiction and the loss of the shareaza.com domain name.

Nilson does not receive money for Shareaza

The most serious (and false) claims made by the SPPF is that Shareaza is a commercial software product and that Jonathan Nilson has benefited financially from his involvement with Shareaza.

As the SPPF itself notes, the Shareaza software is Open Source and the code is available to anyone at no charge via the SourceForge site also named in the Writ. There is no charge, fee or any other form of compensation made by users of the software to anyone involved with the development of the software, including Jonathan Nilson. The former shareaza.com website did not contain any form of advertising material. The Shareaza software did not and does not contain any form of advertising material. Examination of Shareaza’s source code will reveal that no user information is sent back to the Shareaza development team that could be used to generate financial income (such as statistical information on files being accessed by users or personal information that may be used to contact Shareaza users for commercial or other purposes).

In summary, there is absolutely no money involved at any level of the Shareaza project. It is given away at no charge to anyone who wants to use or modify it.

The real extent of Nilson’s involvement with Shareaza.

Jonathan Nilson is not actively involved with Shareaza at all. His only involvement is on an intermittent basis and consists solely of registering the Shareaza.com domain name and listing himself as the administrative and technical contact for it as required by the governing internet body ICANN.

The SPPF claims (in some parts) that Shareaza.com is “clear[ly] and without possible question” a company and that Jonathan Nilson is that company’s representative. In actual fact, Shareaza.com is not a company (later admitted by the SPPF) nor is it facilitated by any company and Nilson is simply the individual who registered the domain name. As the cost of registering a domain name is nominal and may be done in advance for periods of up to 10 years, it is easy for a registrant to forget their registration details and there are many thousands of domain names on the web which are no longer maintained by their registrants.

False claim of financial loss

The SPPF claim to represent independent producers of recorded music (as defined in the Writ) and that it’s members have suffered financial harm as a result of users of the Shareaza software downloading music protected by copyright. The author of this letter challenges the SPPF to either provide proof of these claims (rather than continuing to make the vague assertions such as those included in the Writ), or to accept the following:

- That Peer To Peer software, including Shareaza, actually provides independent music producers with a free platform with which to promote (a) their music, (b) their live performances and concerts, (c) merchandise such as t-shirts, stickers, pins, etc and (d) the artist’s and/or producer’s website where other offers can be made to P2P users and the general public,
- That many independent producers and artists already use P2P software and networks in this manner to promote their creative works,
- That many independent producers and artists actually encourage the use of P2P software for the purposes of sharing their creative works,
- That many independent producers and artists have spoken publicly on the topic of P2P software and credit its usage and the sharing of their material as having a significant and positive effect on the revenue they receive from the production of their creative works.
- That if their members were surveyed, the majority would not agree with the SPPF’s actions in bringing this suite, despite the membership rules requiring them to do so.

Further to this, the SPPF claims that if people are able to obtain music at no charge, there is no reason for them to ever pay for music. This argument is clearly and demonstrably false. The cost of a glass of tap water is so small that it may be considered to be free, yet there is a multi-billion dollar per year global industry dedicated to providing bottled drinking water at a comparatively high cost to the consumer. As can be seen from this example and other examples specific to the music industry, even if something can be obtained at no cost there are still many people who are prepared to pay for it.

Shareaza Pty. Ltd. (Australia)

The SPPF claims that Jonathan Nilson benefited financially from his involvement with an Australian company registered as Shareaza Pty. Ltd. While the author of this letter has no direct knowledge of this claim, there are many scenarios under which such a company may be registered which do not involve Nilson benefiting financially and which are more plausible than the SPPF’s claims.

By way of some background, Shareaza’s original creator and sole developer Michael Stokes released the source code for Shareaza to the public under the GNU GPL v2 license on 1 June 2004 and until then he had been the only person with access to the source code. After releasing the code to the public, Stokes left the project and worked on the development of another software program named Mercora. Mercora used a similar method to Shareaza for the sharing of music files between users, however it was financially supported by payments from users and some of this revenue was paid to royalty collection societies and thus the artists were renumerated for the music being shared.

The author submits that it is more likely that Stokes had intended to steer the development of Shareaza towards this form of business model and later abandoned the idea than it is for Nilson to have and continue to benefit financially from the company Shareaza Pty. Ltd. Had the music industry, represented by the SPPF and similar organizations operating in other countries been willing to embrace a global web-based marketplace and adjust their business models in a competent fashion, Shareaza Pty. Ltd. may have been allowed to develop the Shareaza software in such a way as to provide a great opportunity for the SPPF’s members, however this opportunity was wasted and the company was de-registered (as the SPPF notes).

This scenario, however, is speculation. The Shareaza project is no stranger to imitators who hack the freely available source code and sell the resulting “clone” or access. In any event, the SPPF has not actually claimed that Nilson was ever involved in Shareaza Pty. Ltd., only that such a company once existed and it is entirely possible that this company was registered by someone intending to engage in such actions.

The Streamcast Case (U.S.)

As the SPPF notes, the court’s decision in a case brought against Streamcast Networks, developers of another P2P application in the United States found that P2P developers and distributors may be liable for the copyright infringements of their software’s users if the developers and distributors promote the use of the software for infringing acts.

The Shareaza developers and maintainers of the Shareaza website did not and have not promoted Shareaza as a tool for copyright infringement. The website has only ever included a technical description of Shareaza’s capabilities in general and generic terms (e.g. “Download any file-type” not “Download the latest blockbuster movie”).

The fact that Shareaza has many non-infringing purposes and capabilities and does not promote copyright infringement in the manner required by the Streamcast case proves that Shareaza complies with the Streamcast ruling.

Further to this, the Shareaza developers and community are located in places all over the world and are individually subject to many different legal jurisdictions, often with conflicting legal requirements. The developers and community do however make a good faith effort to adhere to the spirit of the law by taking steps such as being “Streamcast Ruling-compliant”, encouraging the sharing of material only where it is legal to do so and referring users with questions about the legality of Shareaza’s use back to the intellectual property laws of their own country or jurisdiction.

Copyright infringement by the SPPF and associates.

Since making the accusations against Nilson, the domain name shareaza.com now points to a website that does not distribute the Shareaza software. Instead, it points to another website similar in appearance to the old Shareaza website which offers visitors an application named ShareazaV4.exe. That application is a different piece of software which the owner of the site falsely claim is the Shareaza software but which is actually a similar application that has been re-labeled and is owned and controlled by MediaLab, who are associates of the SPPF. The website and re-labeled software both use copyrighted artwork and logos from the real Shareaza website and software (without permission) in an attempt to trick visitors into downloading and using MediaLabs’ software.

The SPPF has therefore been complicit in the facilitation of copyright infringement and deception by threatening a foreign citizen with no means to defend himself in a French court and extorting from him the control of the Shareaza.com domain so that it may be used by SPPF’s associates to infringe copyright and deceive web users into downloading their own software application.

The author of this letter and the Shareaza community of users and developers are outraged by the SPPF’s actions and their hypocrisy by infringing copyright in a misguided attempt to protect their own.

Since the rise in popularity of P2P networks and software the music industry, represented by the SPPF and their international associates have refused to take advantage of new opportunities and new markets and are only just beginning to offer web users with attractive digital offerings. At the same time, they have waged an unconscionable war on competitors who refuse to co-operate with them, software developers and even their own customers.

In bringing suit against Jonathan Nilson, the SPPF have used a tactic that has been developed in collusion with their international counterparts and used the intricacies of their local legal system to force an individual with no capacity to defend themselves to bow to their demands and accept a proposition that no fair minded person would consider reasonable. It is this deliberate targeting of weak opponents that allows them to exercise control over any weaker person or organization of their choosing, innocent or guilty, without oversight as demonstrated by the fact that Shareaza’s co-accused SourceForge.net (a registered company with the capacity to respond to legal threats) has not lost control of it’s domain as Shareaza has, nor to the best of the author’s knowledge, paid a cent in compensation to the SPPF.

The author of this letter considers La Societe Des Producteurs De Phonogrammes En France to be cowardly, deceitful, underhanded and, by engaging in this reprehensible domain-raping action, a threat to any person who values a free and open culture.

End

Users can obtain the real Shareaza by visiting their SourceForge pages

Previously: Top 10 Most Pirated Movies and TV Shows of 2007

Next: BitTorrent DNA Vulnerable to Remote Hijack

59 Responses

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1 Jan 02, 2008 at 15:46 by Anonymous

When will these people learn that suing will not work. You shut down one app another 2 will pop up.

2 Jan 02, 2008 at 15:49 by Anonymous

More detailed background to the case can be here.
=
More detailed background to the case can be FOUND here.
xx anon

3 Jan 02, 2008 at 16:06 by the village ppl

talk about low blow, though that blow missed by a long part as the French “company” uses many false claims. If I were Mr. Nilson I would fight it, of course it would have to be fought in his jurisdiction legal system. But Mr. Nilson can win it hands down.

4 Jan 02, 2008 at 16:18 by Hulk

Would have been nice if this (otherwise good) article contained a link to a legit shareaza site. I guess the sourceforge site is still good to go:

http://shareaza.sourceforge.net/

5 Jan 02, 2008 at 16:22 by Anonymous

Their suing Azureus?

sue microsoft then for not having anti-piracy junk in IE ffs..

6 Jan 02, 2008 at 16:40 by Anonymous

[quote comment="254054"]Would have been nice if this (otherwise good) article contained a link to a legit shareaza site. I guess the sourceforge site is still good to go:

http://shareaza.sourceforge.net//quote

You’re right. Everything is ruined forever. I’m going to cry.

7 Jan 02, 2008 at 16:45 by Perty

Hmm.. If the Shareaza.com is not owned by the Shareaza ppl and they are using a fake client. If that clent is based on the original which is GPLED they should made the source avaible which they haven’t.

8 Jan 02, 2008 at 16:51 by b

Nice review of the situation. A few mistakes I spotted:

“…which are more plausible that the SPPF?s claims.”
…which are more plausible _than_ the SPPF’s claims.

“Micheal Stokes”
Michael Stokes

“music files between users, however it was…”
music files between users; however, it was… (Lots of articles on Wikipedia make this mistake, but “however” is not that kind of conjunction.)

“…the artists were renumerated for the music being shared.”
…the artists were _remunerated_ for the music being shared.

Also, what the hell? This French law is stupid and impossible. Short of trusting a central authority and establishing general censorship, how do you implement the “feature” required? If it’s open source, how do you stop anyone taking out that stupid “feature”?

And these are “independent” music labels? I thought the appeal — no, the DEFINITION — of an independent label was that it didn’t fund a monopolistic bully that attacks music lovers. Can we get an SPPF member list so we know who to boycott? I recently bought music from some French labels that RIAA Radar said were okay; I now hope they were independent of the SPPF, too.

9 Jan 02, 2008 at 18:01 by John

OT: Anyone else notice piratebay and torrentleech are down???

10 Jan 02, 2008 at 18:03 by WakuWaku

Good article and good point #5 …

But better sue the States or the (D)ARPA for inventing the internet. Its basically the same way of thinking.

The open letter makes it all clear.
Reminds me of the first Kazaa-case.

Me hopes Sarkozy will remember that he can not download his Carla Bruni torrents anymore.

11 Jan 02, 2008 at 18:04 by John

Correction: Just torrentleech seems down?

12 Jan 02, 2008 at 18:05 by WakuWaku

@ # 9 … TPB is working here Torrentleech isn’t.

13 Jan 02, 2008 at 19:33 by MrRamon

In case you read French, here is the story

http://www.pcinpact.com/actu/news/40957-SPPF-radioblog-radioblogclub-autorisation-li.htm

Radio.blog.club is the French Imeem.

SPPF has said to Radio.blog.club “We are going to sue you” (for the same fallacious reasons).

Radio.blog.club says “No problem” and promises to automaticaly check with SPPF the “validity” of each song in their database by sending one email per song to the SPPF.

We are talking ten thousand songs.

Plus, each RBC’s “check” request is written in such a stringent legal way (like SPPF has to prove it really represents the song, that the song has never been posted “for free” by its producer, that the artist has really waived his “internet” rights on the song, etc, etc.) that it should take SPPF “quite an amount of time and resource” to respond properly.

It should be fun to follow.

14 Jan 02, 2008 at 19:36 by tekno

TL said they were resetting their servers about 5:00 GMT. Their trackers seem to be down now too.

15 Jan 02, 2008 at 19:38 by tekno

[quote comment="254147"]TL said they were resetting their servers about 5:00 GMT. Their trackers seem to be down now too.[/quote]

TPB database seems to be non functional. Their homepage seems ok

16 Jan 02, 2008 at 19:55 by Anthony to the S.

they need to start working WITH rather than against these systems. and all the open letters in the world won’t help. they need a forum or something.

17 Jan 02, 2008 at 20:46 by serrebi

It’s very sad that a company would have to lie to get what they want, and worse that they are getting away with this shit.
http://shareaza.sf.net
get this pagerank up… :D

18 Jan 02, 2008 at 20:49 by Freak

A good letter overall, but I think the name-calling detracts from its value somewhat.

Obviously anyone reading the facts can draw their own conclusions. No need to stoop to name-calling (like “The author of this letter considers La Societe Des Producteurs De Phonogrammes En France to be cowardly, deceitful, underhanded and, by engaging in this reprehensible domain-raping action, a threat to any person who values a free and open culture.”).

It’s entirely irrelevant whether they’re cowardly or not; being cowardly is not illegal. I think the letter would have the most legal impact (and here I’m assuming someone wants to have it translated and submitted to the French court) if it only contained a rebuttal of the SPPF’s claims (with links to proofs/sources) and an enumeration of possibly illegal actions by SPPF and their subsidiaries (also with links to proofs to back the claims up). The “recording industry” doesn’t care about you, us, whatever; I think the letter should rather be addressed to the French courts and to the “community” at large.

19 Jan 02, 2008 at 21:32 by Guido

too long! =\

20 Jan 02, 2008 at 21:46 by Anonymous

tl;dr

21 Jan 02, 2008 at 23:18 by Anonymous

http://sourceforge.net/svn/?group_id=110672
If Your not a moron you can find the code. I don’t know if I’d want you committing on any of my projects.

22 Jan 03, 2008 at 01:00 by zarathustra

Excellent letter - you are to be commended. =]

P.S. Personally, I enjoyed the namecalling at the end… :P

23 Jan 03, 2008 at 01:12 by soullexx

how many more tricks can these stupids dogs do?

24 Jan 03, 2008 at 02:10 by Arby

I found this (very detailed and meaty) article to be very informative. It seems that it could stand to be polished a bit however. That’s important if not doing so introduces confusion. I found some references to Nilson’s role to be confusing.

I also find it confusing (no fault of the article’s author) when P2P defenders argue both for copyright infringement and against it. I understand the need to deal with law - and scammy capitalists who like it - that’s hostile to P2P activities while at the same time trying to make the case that other philosophies - and business models that might hew to those philosophies (P2P players) - are desirable. Depending on how well that’s done, that will no doubt determine how effective the (pro P2P community) argument will be in wining over many who are on the fence on these issues.

25 Jan 03, 2008 at 04:55 by Paco420

You know what makes conspiracies so interesting… that its one person say to another person that they were “Thinking” about doing something.

When did it become a crime to think about something but never go through with such actions?

If thinking about it did nothing to effect general population then why bother printing?

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